Friday, December 3, 2010

Poetry and then some

I’m overwhelmed by the wealth and breadth of poetry coming out of Sub-Saharan Africa. There’s much to explore, but in today’s post I thought I’d mention the Poetry Africa festival.

Poetry Africa is an international festival that takes place annually in Durban, South Africa. It’s now in its 14th year. Two months ago (October 4-9), 20 poets from 12 countries – including South Africa, Jamaica, Palestine, Australia, India, Uruguay, Italy and Senegal – performed their poetry. Associated events were held in Cape Town, Harare (Zimbabwe) and Blantyre (Malawi).

Here are three of the South African poets who participated:

Gcina Mhlope / Photo courtesy Poetry Africa
Gcina Mhlophe: a poet, storyteller, playwright, director, author, singer, actress and activist whose work addresses themes such as apartheid and patriarchy. She also created the group Zanendaba Storytellers as a means of revitalising storytelling traditions.

Pitika Ntuli / Photo courtesy Poetry Africa
Pitika Ntuli: a poet, artist, sculptor and professor who uses myth and history in his poetry. He’s also played advisory roles on arts and culture, indigenous knowledge and traditional leadership. He’s even written his bio as a poem.

Lebo Mashile / Photo courtesy http://www.lebomashile.com/fanclub/
Lebogang Mashile: a poet, performer, actress, writer, columnist, TV presenter and producer. She sees poetry as a means of changing attitudes in post-apartheid South Africa; her website quotes her as saying, "The enemy isn’t really clear in the way it was before. It’s an incredibly sensitive, complicated struggle with many dimensions, but the site for that struggle is inside. ...The language of poetry comes from a place where that transformation has to begin, that sort of intuitive, creative, spiritual searching place that will be the fuel for any kind of transformation process." Mashile co-founded the Feel a Sistah! Spoken Word Collective, acted in the film Hotel Rwanda, and collaborated with choreographer Sylvia Glasser to create the contemporary dance performance Threads. She deals with issues that include women and violence, identity, and South African society and politics.

Here's a performance by Lebo Mashile earlier this year:


Lebo Mashile - Poet/ Writer/Producer from Thabo Thindi on Vimeo.
 
The Poetry Africa Festival is organised by the University of Kwazulu-Natal’s Centre for Creative Arts. The Centre also hosts the Time of the Writer festival, the Durban International Film Festival,  and the Jomba! Contemporary Dance Festival.

Thursday, December 2, 2010

Fountain of knowledge

Fountain of Knowledge, University of Nairobi
One of the people who’s had a big influence on my understanding of Africa is Kabiru Kinyanjui.

Kabiru Kinyanjui is a Kenyan education specialist, academic and consultant. He’s written and advised on politics, social policy, conflict and peace, civil society and development – among other things. He’s widely known in the region in these fields, and highly respected.

His bio is impressive: a degree in law, history and sociology from the University of East Africa (Dar es Salaam), and a masters and doctorate from Harvard. He’s authored numerous books and articles, and he taught for many years at the University of Nairobi and was Director of its Institute for Development Studies. He’s been a visiting professor at universities in North America, has served as consultant to several international organisations, and been a commentator on political issues (including for the Voice of America following President Obama’s election).
Book cover, African Perspectives on Development,
edited by Uli Himmelstrand, Kabiru Kinyanjui and Edward Mburugu
Kabiru Kinyanjui has played high-profile roles in education in Kenya, serving as the Chairman of the Public Universities Inspection Board that made recommendations on transforming higher education in Kenya, and as Chairman of the Board of the Kenya National Examinations Council. He’s also been on the boards of for-profit and social enterprises including the K-Rep Group, Juhidi Kilimo and the Family Bank.

He helped establish the Nairobi Peace Initiative-Africa, and serves as Chair of its Board. The Nairobi Peace Initiative is an organisation that seeks to transform conflicts and build peace in Africa, by engaging in discussion and in mediation, reconciliation, training and strategy development in countries affected by conflict.

I worked with Kabiru Kinyanjui for several years in the 1990s, when we were both at the International Development Research Centre. He was based in Nairobi, I in Ottawa, but we collaborated frequently. He was senior to me in education and experience but always treated me like an equal.

Looking back, I see that he probably had infinite patience with me. His knowledge of the region, of the diversity of cultures, the history of countries, and the nuances of national and local politics was astonishing. Mine was, let’s say, emerging. It was a privilege to see him interact with peers, and with younger scholars in the region, who clearly looked up to him. He is one of those people whom you could truly call wise – and kind, and principled.

One day, while on a visit to projects in the region, Prof. Kinyanjui and I stopped to watch the television news between meetings. A report came on about global disease patterns and life expectancy. We watched as the life expectancies for our respective countries of birth flashed on the screen. I don’t recall the exact numbers but it was something like 80 for me and 55 for him. The realisation hit: I had about 45 years to go before I reached mine, and he would have been close to his.

The unfairness of it still gets to me. There’s no justification for such inequity. Injustice is a feature of our world, but when it hits close to home, it’s particularly hard to ignore.

But, here we are. I think about Prof. Kinyanjui’s commitment to education and to peace, and his patience, and I smile.

Wednesday, December 1, 2010

Photo voices

On World AIDS Day today, I’m posting the images and words of a few people who speak for themselves.

The photos below are from the exhibit Photo-Voice: HIV and AIDS Education for Young People in Africa, presented by UNESCO and the Virginio Bruni Tedeschi Foundation. The photos in Photo-Voice were taken by young people, parents and teachers from Angola, Lesotho, Namibia and Swaziland.

The photographers focused on two themes: students and teachers affected by HIV and AIDS, and young people, sexuality and HIV.

Here are a few of the photos, along with captions written by the photographer who took each picture. (Photos are courtesy of UNESCO.)

© UNESCO/SWANNEPHA, Welile, female student, Swaziland - This is my teacher, she is also HIV positive, like me. She made my life easier by disclosing her status to us in class. She has restored my self esteem. I just love her. She is my pillar.
 
© UNESCO/SWANNEPHA, Kehtsiwe, 14 years old, female student, Swaziland - I am living with HIV and have been on antiretroviral treatment since 2002. I got sick early in my childhood. At school I faced challenges of being stigmatised and discriminated against by my teacher. She told other children not to play with me and also told me in the face that she was ‘tired of teaching a sick child’. I confronted her and told her that I could not change the situation. She then accepted my situation and wrote a note to apologise to my mother. I pray that other children never get to experience such injustice. I aspire to be surgeon; I already perform operations on frogs.

© UNESCO/RNP+ Angola, Cristovao, 14 years old, male student, Angola - My parents and two of my brothers are HIV positive. Very soon, as a result of their condition, our income started to decrease and I went to study at community school. HIV and AIDS is taught and openly discussed in schools managed by NGOs which have specific activities, but now that I am in public school I don’t hear about HIV and AIDS anymore, with the exception of the biology teacher... It would be good for schools (from primary schools to universities) to speak not only about HIV and AIDS but also about other sexually transmitted diseases. I would like to join a group of activists in my school in to fight HIV.

© UNESCO/LENEPWHA, Peete, 23 years old, male student, Lesotho - Sometimes when I think back on my life for the past ten years, I realise that I did not have enough knowledge on the pandemic to take care of myself. My young friends remind me that life should be enjoyed, and yet I worry that unless they are protected from contracting HIV they will soon have the virus like me and may not enjoy life as they do now. They deserve to be happy and live life with no worries. I believe that they should be adequately prepared now at a very early age so that they will grow into young adults competent enough to take care of themselves and protect others from HIV.

Photo-Voice is part of a UNESCO project funded by the Virginio Bruni Tedeschi Foundation (created by Marisa Bruni Tedeschi in memory of her son Virginio – Carla Bruni-Sarkozy’s brother – who passed away of AIDS-related complications in 2006). Photo-Voice organisers say the exhibit uses the power of images to enable participants to "to bear witness" and to raise awareness.

These photos are by African photographers -- but AIDS is a global issue. Sub-Saharan Africa is home to 22 million of the 33 million people living with HIV, but HIV incidence has fallen over 25 percent in 22 Sub-Saharan African countries since 2001, while it's increasing in other parts of the world (such as Eastern Europe and Central Asia). In North America and Western Europe, an estimated 100,000 people were newly infected in 2009 compared to 97,000 in 2001. We're in this together.

HIV and AIDS is a human rights issue, and dealing with it is a joint responsibility. It doesn't call for pity; it calls for empathy, solidarity and action.